Mr Mercedes, by Stephen King

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The master of horror becomes the master of thriller. Mr Mercedes is a highly energetic novel, bearing all the hallmarks of a classic detective tale.


Set in an American city, Mr Mercedes follows the story of recently retired detective Bill Hodges. After an impressive career, Hodges is soon lured from his newly innate retired life of junk food and daytime TV by the resurgence of a past terror, the classic “perp that got away”. As mysteries are uncovered and tragedies begin to pile one upon the other, it soon becomes clear that no one can ever truly quit the chase.

Though the novel bears little creative ingenuity, a simple psychopath-pitted-against-justice novel, King’s engaging writing style certainly keeps the reader hooked. The prominence of modern technology also adds a new dimension to the classic crime mystery, with the old school detective persistently thrown off the scent by the ingenuity of technologically fueled madness.

Overall an entertaining and easy read, good for the summer, but readers looking for more intrigue had better revert back to the disturbing horrors the author was made famous for. Despite this, with its fair share of action, romance, comedy and tragedy, Mr Mercedes is a strong debut thriller from the world famous King.

Length: 432 (Hodder paperbacks)
Overall Rating: 3 stars

Carrie, by Stephen King

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​From the skilled hands of its world famous author, Carrie spins a dark tale of youthful cruelty and sorrowful revenge. Bearing a simple yet effective premise for a horror novel, known now by many from its multiple film interpretations, this is a short and entertaining classic.

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Carrie centres around its namesake, a teenage girl who after a lifetime of bullying and trauma is brought to her limits in the run up to her senior prom. As the novel progresses, the supernatural gradually becomes all too frightening and real, and a terrifying retribution soon unfolds upon a small town in Maine America.

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Whilst a little cliché at times, the same can largely be said of all teenagers. King soon moves beyond the realms of youthful stereotype however, drawing upon much darker themes. Carrie engages the brutally honest inner emotions of its characters, offering their raw, primitive thoughts throughout. The effect of this is an intrinsically human perspective on a savage, wounded time for a young damaged girl.

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The general style of the novel is rather different to a typical horror novel. It is certainly interesting to consistently remind the reader of the novel’s end for example, a typical cardinal sin in most narratives. By frequenting numerous article segments and scientific considerations concerning the ‘Carrie phenomena’ throughout however, King adds a sense of impeding and inescapable doom. In this way, the slightest actions are therefore emphasised with a constant sense of inevitable consequence.

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Carrie is the classic tale of youthful hardship and woes, escalated beyond proportion by a horrorful nature that seeks retribution for all the sorry young wronged.

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Length: 242 (BCA)

Overall Rating: 3.5 stars