In a world where cyclops, satyrs and nymphs are as real as the dinosaurs of the past, Relics is another creative take on the folklore and myths famous throughout humanity.
The novel follows the story of a young couple, whose comfortable lives are soon thrown ever deeper into an underground world unknown to most, where ‘relics’ remembered only in tale and lore are discovered to be only all too real. Curiosity soon turns into a fight for survival, as Angela and Vince are balanced between a fantastical world and the devastating greed of mankind.
The modern age hosts a plethora of classical mythical beings cast in a variety of ways, and Relics is certainly another example of this. Whilst the premise of the narrative is entertaining enough, the ingenuity and style required to make such a classically-fueled novel truly stand out was however somewhat lacking. With a number of clichés and some slightly forced background additions to the narrative, Relics was unfortunately missing the lustre needed to take it a level above.
Despite this, with plenty of action and a few twists and turns, Relics is still an enjoyable and creative read, told at a pace that will hold your interest from start to finish.
Length: 384 (Titan)
Overall Rating: 2.5 stars
In a land built on steampunk contraptions and demonic beings, The Incorruptibles mixes the dangerous ingenuity and extravagance of ancient Rome, with the hard corruption of the wild west. Along with a dash of fantasy, this cross-genre novel harbours both ingenuity and intrigue.
‘The Hardscrabble Territories’ are an unforgiving land, filled with all manner of terrors, where roughened men seek solace for their sins in the fiery depths of the bottle. Damnation is not only rife, but physically apparent, as demon spawn and hell fire fuel mankind’s greed. Jacobs’ gritty western dialect and fluid description creates a harsh yet vivid world of ever-present hardship.
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Exotically imaginative and audaciously funny, The Girl Who Saved The King Of Sweden is another wonderful example of Jonasson’s witty and entertaining writing style. Following on from the success of his debut novel, once again Jonasson spins an irreverent and impossible narrative, born from small beginnings surging ever on towards the large and the great.
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From the skilled hands of its world famous author, Carrie spins a dark tale of youthful cruelty and sorrowful revenge. Bearing a simple yet effective premise for a horror novel, known now by many from its multiple film interpretations, this is a short and entertaining classic.
Carrie centres around its namesake, a teenage girl who after a lifetime of bullying and trauma is brought to her limits in the run up to her senior prom. As the novel progresses, the supernatural gradually becomes all too frightening and real, and a terrifying retribution soon unfolds upon a small town in Maine America.
Whilst a little cliché at times, the same can largely be said of all teenagers. King soon moves beyond the realms of youthful stereotype however, drawing upon much darker themes. Carrie engages the brutally honest inner emotions of its characters, offering their raw, primitive thoughts throughout. The effect of this is an intrinsically human perspective on a savage, wounded time for a young damaged girl.
The general style of the novel is rather different to a typical horror novel. It is certainly interesting to consistently remind the reader of the novel’s end for example, a typical cardinal sin in most narratives. By frequenting numerous article segments and scientific considerations concerning the ‘Carrie phenomena’ throughout however, King adds a sense of impeding and inescapable doom. In this way, the slightest actions are therefore emphasised with a constant sense of inevitable consequence.
Carrie is the classic tale of youthful hardship and woes, escalated beyond proportion by a horrorful nature that seeks retribution for all the sorry young wronged.
Length: 242 (BCA)
Overall Rating: 3.5 stars
In his debut novel, once more Saunders’ irreverent, sporadic and moving style is put masterfully to use to capture a powerful narrative. Composed of dozens of voices, from which history merges with fiction in a mesmerising whole, Lincoln in the Bardo is an entirely singular novel, certainly the first of its kind, and one which will long be remembered.
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Ordinary Thunderstorms is a novel which certainly isn’t lacking in momentum, wasting little time in diving into its fast paced narrative. With an assortment of colourful characters, drawn from all parts of London society, this is quite a different read compared to Boyd’s other novels. Though any thriller faces the potential of being labeled as being somewhat commercialised, Ordinary Thunderstorms is still absorbingly fast paced, varied and highly gripping.
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Recently unemployed, Toru Okada spends his time cooking, ironing shirts and napping. For a protagonist, he is rather quiet. However, when the sudden disappearance of his cat coincides with a plethora of peculiar phone calls, his life takes a serious turn for the strange.
From the ordinary to the fantastical, the known to the unknown, Murakami spins an odd yet compelling tale. The Wind-Up Bird Chronicle is a story laced with thought provoking philosophies and mysterious imaginings. With a cacophony of characters, each bearing their own absorbing tales, some truly violent and unsettling, but all imbued with the strange nature that Murakami is famous for, there is ever a new surprise waiting to be revealed.
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