Politics, corruption, power – Imperium.
Imperium is told from the perspective of a highly able and literate slave, Tiro, following the story of his master Marcius Tullius Cicero, a great orator, lawyer and above all politician. The pair bear witness to the classic strive to ultimate power within the great Roman Republic, highlighting the dark deals, bribery and sheer ingenuity required to make it to the top. This is certainly in likeness to a Roman ‘House of Cards’, bearing the same dramatic trials and tribulations which make for highly compelling drama.
In the final decades of the Republic, Harris tracks this demise through a detailed narrative of its orcastrators. Legendary historical figures such as Pompey the Great and Julius Caesar are characterised in their glorious nature, but also in what was likely their true selves: ambitious, dangerous and entirely unstoppable.
Harris has an absorbing writing style, placing his reader in the heart of Roman life. Great events remembered throughout history are delved into more deeply, unearthing the corruption and strifes necessary for their accomplishment.
With a wealth of historical knowledge, and the use of Cicero’s own recorded speeches and letters, Harris captures real historical fact within the compelling compound of literature. Imperium is a thrilling narrative, which will have you following the exhilarating political manoeuvres from over two thousand years ago as attentively as if they were occuring today.
Length: 403 (BCA)
Overall Rating: 5 stars
In a land built on steampunk contraptions and demonic beings, The Incorruptibles mixes the dangerous ingenuity and extravagance of ancient Rome, with the hard corruption of the wild west. Along with a dash of fantasy, this cross-genre novel harbours both ingenuity and intrigue.
‘The Hardscrabble Territories’ are an unforgiving land, filled with all manner of terrors, where roughened men seek solace for their sins in the fiery depths of the bottle. Damnation is not only rife, but physically apparent, as demon spawn and hell fire fuel mankind’s greed. Jacobs’ gritty western dialect and fluid description creates a harsh yet vivid world of ever-present hardship.
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Exotically imaginative and audaciously funny, The Girl Who Saved The King Of Sweden is another wonderful example of Jonasson’s witty and entertaining writing style. Following on from the success of his debut novel, once again Jonasson spins an irreverent and impossible narrative, born from small beginnings surging ever on towards the large and the great.
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From the skilled hands of its world famous author, Carrie spins a dark tale of youthful cruelty and sorrowful revenge. Bearing a simple yet effective premise for a horror novel, known now by many from its multiple film interpretations, this is a short and entertaining classic.
Carrie centres around its namesake, a teenage girl who after a lifetime of bullying and trauma is brought to her limits in the run up to her senior prom. As the novel progresses, the supernatural gradually becomes all too frightening and real, and a terrifying retribution soon unfolds upon a small town in Maine America.
Whilst a little cliché at times, the same can largely be said of all teenagers. King soon moves beyond the realms of youthful stereotype however, drawing upon much darker themes. Carrie engages the brutally honest inner emotions of its characters, offering their raw, primitive thoughts throughout. The effect of this is an intrinsically human perspective on a savage, wounded time for a young damaged girl.
The general style of the novel is rather different to a typical horror novel. It is certainly interesting to consistently remind the reader of the novel’s end for example, a typical cardinal sin in most narratives. By frequenting numerous article segments and scientific considerations concerning the ‘Carrie phenomena’ throughout however, King adds a sense of impeding and inescapable doom. In this way, the slightest actions are therefore emphasised with a constant sense of inevitable consequence.
Carrie is the classic tale of youthful hardship and woes, escalated beyond proportion by a horrorful nature that seeks retribution for all the sorry young wronged.
Length: 242 (BCA)
Overall Rating: 3.5 stars
In his debut novel, once more Saunders’ irreverent, sporadic and moving style is put masterfully to use to capture a powerful narrative. Composed of dozens of voices, from which history merges with fiction in a mesmerising whole, Lincoln in the Bardo is an entirely singular novel, certainly the first of its kind, and one which will long be remembered.
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Ordinary Thunderstorms is a novel which certainly isn’t lacking in momentum, wasting little time in diving into its fast paced narrative. With an assortment of colourful characters, drawn from all parts of London society, this is quite a different read compared to Boyd’s other novels. Though any thriller faces the potential of being labeled as being somewhat commercialised, Ordinary Thunderstorms is still absorbingly fast paced, varied and highly gripping.
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Human nature transcends time, ever offering violence upon the innocent, cruelty bred from war. Following a number of timelines and characters, Transatlantic explores the strifes of humanity, which echo on throughout history.
McCann’s subtle links and recurring themes underlying his plot certainly make for an interesting read. As the novel progresses, what at first appear seemingly unrelated stories become delicately intertwined, passing down through generations. TransAtlantic delves through history, shedding light on the unchanging nature of life for all our past ancestors, from violence to love, and hope to woe. Under the backdrop of an ever aggrieved Ireland and the fragile promise of America, McCann skillfully relates the hardships of humanity from a variety of characters, whose lives merge into one another’s in the slightest of ways.
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