In a land built on steampunk contraptions and demonic beings, The Incorruptibles mixes the dangerous ingenuity and extravagance of ancient Rome, with the hard corruption of the wild west. Along with a dash of fantasy, this cross-genre novel harbours both ingenuity and intrigue.
‘The Hardscrabble Territories’ are an unforgiving land, filled with all manner of terrors, where roughened men seek solace for their sins in the fiery depths of the bottle. Damnation is not only rife, but physically apparent, as demon spawn and hell fire fuel mankind’s greed. Jacobs’ gritty western dialect and fluid description creates a harsh yet vivid world of ever-present hardship.
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Exotically imaginative and audaciously funny, The Girl Who Saved The King Of Sweden is another wonderful example of Jonasson’s witty and entertaining writing style. Following on from the success of his debut novel, once again Jonasson spins an irreverent and impossible narrative, born from small beginnings surging ever on towards the large and the great.
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In his debut novel, once more Saunders’ irreverent, sporadic and moving style is put masterfully to use to capture a powerful narrative. Composed of dozens of voices, from which history merges with fiction in a mesmerising whole, Lincoln in the Bardo is an entirely singular novel, certainly the first of its kind, and one which will long be remembered.
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Ordinary Thunderstorms is a novel which certainly isn’t lacking in momentum, wasting little time in diving into its fast paced narrative. With an assortment of colourful characters, drawn from all parts of London society, this is quite a different read compared to Boyd’s other novels. Though any thriller faces the potential of being labeled as being somewhat commercialised, Ordinary Thunderstorms is still absorbingly fast paced, varied and highly gripping.
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A short yet delightful classic, written with all the civility expected of a victorian gentlemen, The Time Machine is science fiction at one of its earliest beginnings. Though the novel could certainly have been longer, there are still enough philosophical thoughts and strange imaginings to provide an enjoyable few hours of entertainment.
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Human nature transcends time, ever offering violence upon the innocent, cruelty bred from war. Following a number of timelines and characters, Transatlantic explores the strifes of humanity, which echo on throughout history.
McCann’s subtle links and recurring themes underlying his plot certainly make for an interesting read. As the novel progresses, what at first appear seemingly unrelated stories become delicately intertwined, passing down through generations. TransAtlantic delves through history, shedding light on the unchanging nature of life for all our past ancestors, from violence to love, and hope to woe. Under the backdrop of an ever aggrieved Ireland and the fragile promise of America, McCann skillfully relates the hardships of humanity from a variety of characters, whose lives merge into one another’s in the slightest of ways.
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This is a strange but immersing novel, which pushes the limits of reality in a mesmerising way. Gaiman’s style is certainly fast paced, flitting from one peculiar yet absorbing scene to another. Whilst at first it is somewhat of a struggle to keep up, the very atmosphere of the novel keeps you yearning for more.
As is often a point of inspiration for Gaiman’s works, Norse mythology plays a prominent role in American Gods, alongside a plethora of historical myths from across the ages. This will leave any historically inclined readers eager for more. Gaiman intermixes the modern with the mythological in a truly compelling way, leaving no doubt that a God should be wolfing down a hamburger at a roadside restaurant, or conjuring a storm before the unseeing eyes of humanity. He lends a plaintive sincerity concerning the mythical and other-worldly that is both simultaneously confusing and compelling.
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