It is no easy task to continue the story of another, however when I discovered that William Boyd had written a ‘James Bond’ novel, I knew that the continuation of this franchise would be safe in the hands of one of my favourite and most compelling authors. Solo certainly didn’t disappoint.
Set in 1969, holding Bond at the full age of around 45 and a long career to look back on, Solo keeps to all the hallmarks of a classic Bond tale. As a dubious mission to end a war in Zanzarim takes a turn for the worse, Bond finds himself embarking on his own agenda to discover the truth to matters. Utilising old contacts, daring cunning and, of course, his license to kill, Bond proves once again that it’s a dire mistake to cross this affamed double 0.
It is of little surprise that the master author of the spy novel Restless would soon turn his hand to the classic series of British espionage loved the world over. Boyd’s exquisite knowledge of the finer cuisine and fashionable tastes certainly lend well to our worldy and charming protagonist, attributing Bond with an even greater suave than perhaps managed by even Fleming himself. Boyd’s own history with Africa similarly explains his attraction to this setting, through which he fully utilises his experiences to present an authentic take on the country and its culture.
With a plethora of loveable clichés, character traits and exotic settings, Solo is indeed a true likeness to Fleming’s classic series. Action, seduction and espionage. What more could you ask of our 007?
Length: 322 (Vintage)
Overall Rating: 3.5 stars
Unlike his other novels, affamed for their heartbreaking and tellingly brutal tales, And the Mountains Echoed forges a story of another kind of sadness.
Staying true to his customary theme of Afghanistan, Hosseini begins his novel following the lives of two twins, bound inseparable in their first years but subject like so many to the inescapable whims of poverty and survival.
It is from their stories that a series of other interlinking narratives unfold, following the tales of characters spanning the world over, each with some part of their life ever relating them back to Afghanistan.
Interestingly, this means that a significant portion of the novel features a wealthier, Western living, not the usual hardships of Taliban rule and oppresiveness so featured in his other novels. And the Mountains Echoed approaches the violence and oppresiveness Afghanistan experienced from a much more detached nature. Rather than delve directly into such hardship, it instead remains poised at its very edge looking in, much as the many thousands of luckier and more privileged souls do throughout their lives.
Hosseini’s message, told in his encapsulating prose, is one of family and home. That no matter how far you may go, how different a life you may forge, the past is ever a part of you which you cannot simply shed. We all have a calling to our birthplace and home, it is up to us whether we answer it, or forever shut it away.
Length: 463 (Bloomsbury)
Overall Rating: 3.5 stars
A global hit, The Girl On the Train is yet another gripping addition to the plethora of thrillers lining the bestseller charts. With romance, scandal, death and despair, this novel certainly meets all the genre’s hallmarks with great impact.
Following the story of Rachel, a hopeless alcoholic struggling through her daily commute, there soon unfolds a tale of confusion, doubt and violent remorse. With memory the enemy, and no one believing her suspicions, the novel’s sorry protagonist quickly descends deeper and deeper into a plot which will make her question not only herself, but her very life.
Overall, this is a very enjoyable read, drawing suspicions and casting doubt with every turn of the page. You can almost picture the author taking the train each day, drawing inspiration for her work out from the monotony of her daily commute.
The Girl On the Train is a credit to the author’s imagination, turning an ordinary setting into an elaborate thriller.
Length: 416 (Black Swan)
Overall Rating: 3 stars
Set during the late 1960s, Norwegian Wood is a heartfelt ode to adolescence, filled with both the mindless and mindful meanderings of the young soul struggling along the path to maturity.
Murakami’s artful prose captures the pure essence of this age, reaching out to the unanswerable questions of life and love, as well as the transitory struggles for meaning in the adult world. It is from the tale of the stoic and utterly sincere Watanabe that these themes are laid bare.
Norwegian Wood is filled with vivid characters, each desperate to find meaning and explore their emotions. Through a variety of intricate and somewhat random acts, conversations and occurrences, Murakami tells the tale of youthful heartache. Much apart from his other novels,
Norwegian Wood was Murakami’s first seemingly conventional work, straying from the wonderful and fictional imaginings of his others. Despite this, it is also one of his most famous, raising his readership to the millions, and one which every young person should hold in their repertoire.
Length: 389 (Vintage)
Overall Rating: 5 stars
In a world where cyclops, satyrs and nymphs are as real as the dinosaurs of the past, Relics is another creative take on the folklore and myths famous throughout humanity.
The novel follows the story of a young couple, whose comfortable lives are soon thrown ever deeper into an underground world unknown to most, where ‘relics’ remembered only in tale and lore are discovered to be only all too real. Curiosity soon turns into a fight for survival, as Angela and Vince are balanced between a fantastical world and the devastating greed of mankind.
The modern age hosts a plethora of classical mythical beings cast in a variety of ways, and Relics is certainly another example of this. Whilst the premise of the narrative is entertaining enough, the ingenuity and style required to make such a classically-fueled novel truly stand out was however somewhat lacking. With a number of clichés and some slightly forced background additions to the narrative, Relics was unfortunately missing the lustre needed to take it a level above.
Despite this, with plenty of action and a few twists and turns, Relics is still an enjoyable and creative read, told at a pace that will hold your interest from start to finish.
Length: 384 (Titan)
Overall Rating: 2.5 stars
Politics, corruption, power – Imperium.
Imperium is told from the perspective of a highly able and literate slave, Tiro, following the story of his master Marcius Tullius Cicero, a great orator, lawyer and above all politician. The pair bear witness to the classic strive to ultimate power within the great Roman Republic, highlighting the dark deals, bribery and sheer ingenuity required to make it to the top. This is certainly in likeness to a Roman ‘House of Cards’, bearing the same dramatic trials and tribulations which make for highly compelling drama.
In the final decades of the Republic, Harris tracks this demise through a detailed narrative of its orcastrators. Legendary historical figures such as Pompey the Great and Julius Caesar are characterised in their glorious nature, but also in what was likely their true selves: ambitious, dangerous and entirely unstoppable.
Harris has an absorbing writing style, placing his reader in the heart of Roman life. Great events remembered throughout history are delved into more deeply, unearthing the corruption and strifes necessary for their accomplishment.
With a wealth of historical knowledge, and the use of Cicero’s own recorded speeches and letters, Harris captures real historical fact within the compelling compound of literature. Imperium is a thrilling narrative, which will have you following the exhilarating political manoeuvres from over two thousand years ago as attentively as if they were occuring today.
Length: 403 (BCA)
Overall Rating: 5 stars
In a land built on steampunk contraptions and demonic beings, The Incorruptibles mixes the dangerous ingenuity and extravagance of ancient Rome, with the hard corruption of the wild west. Along with a dash of fantasy, this cross-genre novel harbours both ingenuity and intrigue.
‘The Hardscrabble Territories’ are an unforgiving land, filled with all manner of terrors, where roughened men seek solace for their sins in the fiery depths of the bottle. Damnation is not only rife, but physically apparent, as demon spawn and hell fire fuel mankind’s greed. Jacobs’ gritty western dialect and fluid description creates a harsh yet vivid world of ever-present hardship.
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