Exotically imaginative and audaciously funny, The Girl Who Saved The King Of Sweden is another wonderful example of Jonasson’s witty and entertaining writing style. Following on from the success of his debut novel, once again Jonasson spins an irreverent and impossible narrative, born from small beginnings surging ever on towards the large and the great.
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From the skilled hands of its world famous author, Carrie spins a dark tale of youthful cruelty and sorrowful revenge. Bearing a simple yet effective premise for a horror novel, known now by many from its multiple film interpretations, this is a short and entertaining classic.
Carrie centres around its namesake, a teenage girl who after a lifetime of bullying and trauma is brought to her limits in the run up to her senior prom. As the novel progresses, the supernatural gradually becomes all too frightening and real, and a terrifying retribution soon unfolds upon a small town in Maine America.
Whilst a little cliché at times, the same can largely be said of all teenagers. King soon moves beyond the realms of youthful stereotype however, drawing upon much darker themes. Carrie engages the brutally honest inner emotions of its characters, offering their raw, primitive thoughts throughout. The effect of this is an intrinsically human perspective on a savage, wounded time for a young damaged girl.
The general style of the novel is rather different to a typical horror novel. It is certainly interesting to consistently remind the reader of the novel’s end for example, a typical cardinal sin in most narratives. By frequenting numerous article segments and scientific considerations concerning the ‘Carrie phenomena’ throughout however, King adds a sense of impeding and inescapable doom. In this way, the slightest actions are therefore emphasised with a constant sense of inevitable consequence.
Carrie is the classic tale of youthful hardship and woes, escalated beyond proportion by a horrorful nature that seeks retribution for all the sorry young wronged.
Length: 242 (BCA)
Overall Rating: 3.5 stars
In his debut novel, once more Saunders’ irreverent, sporadic and moving style is put masterfully to use to capture a powerful narrative. Composed of dozens of voices, from which history merges with fiction in a mesmerising whole, Lincoln in the Bardo is an entirely singular novel, certainly the first of its kind, and one which will long be remembered.
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Ordinary Thunderstorms is a novel which certainly isn’t lacking in momentum, wasting little time in diving into its fast paced narrative. With an assortment of colourful characters, drawn from all parts of London society, this is quite a different read compared to Boyd’s other novels. Though any thriller faces the potential of being labeled as being somewhat commercialised, Ordinary Thunderstorms is still absorbingly fast paced, varied and highly gripping.
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A short yet delightful classic, written with all the civility expected of a victorian gentlemen, The Time Machine is science fiction at one of its earliest beginnings. Though the novel could certainly have been longer, there are still enough philosophical thoughts and strange imaginings to provide an enjoyable few hours of entertainment.
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Human nature transcends time, ever offering violence upon the innocent, cruelty bred from war. Following a number of timelines and characters, Transatlantic explores the strifes of humanity, which echo on throughout history.
McCann’s subtle links and recurring themes underlying his plot certainly make for an interesting read. As the novel progresses, what at first appear seemingly unrelated stories become delicately intertwined, passing down through generations. TransAtlantic delves through history, shedding light on the unchanging nature of life for all our past ancestors, from violence to love, and hope to woe. Under the backdrop of an ever aggrieved Ireland and the fragile promise of America, McCann skillfully relates the hardships of humanity from a variety of characters, whose lives merge into one another’s in the slightest of ways.
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Recently unemployed, Toru Okada spends his time cooking, ironing shirts and napping. For a protagonist, he is rather quiet. However, when the sudden disappearance of his cat coincides with a plethora of peculiar phone calls, his life takes a serious turn for the strange.
From the ordinary to the fantastical, the known to the unknown, Murakami spins an odd yet compelling tale. The Wind-Up Bird Chronicle is a story laced with thought provoking philosophies and mysterious imaginings. With a cacophony of characters, each bearing their own absorbing tales, some truly violent and unsettling, but all imbued with the strange nature that Murakami is famous for, there is ever a new surprise waiting to be revealed.
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